Wednesday, July 18, 2012

Review of Christine MacLeod's Heroes of Invention

MacLeod Review
In her 2007 monograph Heroes of Invention,[1]Christine MacLeod analyses the cultural role that inventors played in British society during the Industrial Revolution. Beginning with the question of why so few inventors are famous today, Macleod charts the rise of inventor’s status from their mid eighteenth century status “synonymous with fraudster, cheat or swindler, effectively a criminal”[2] to their celebration as “a national benefactors by the political nation,”[3]and finally to their decline in favor of heroic “gentlemen of science”[4] at the start of the twentieth century. Primarily using James Watt as an example, though also exploring other famous figures such as Jenner, Arkwright and Davy, Macleod shows that the number of statues, biographies and honors dedicated to inventors increased at an exponential rate following the public acclaim for inventions like the smallpox vaccine, telegraph, steam engine, and balloon flight.  Praises usually reserved only for military heroes were heaped on a number of engineers and mechanics instead. This ubiquitous praise unusually came from all classes with William IV funding a statue of Watt in Westminster Abbey, middle class traders happy to privilege inventors over aristocrats and in one of her most engaging chapters, working class belief that it was the work of the ordinary man that best served the nation. Entering the classic British decline debate, she claims that any technological or economic deterioration from this period is a result of historiography and that the waning British acclaim for the inventor came not from a technological decline but the reduced role of the individual in the increasingly political and entrepreneurial economy.
            Rather than the rather large scope of other texts from this course, MacLeod has a fairly narrow geographical and chronological focus. This serves her quite well as it lends some credibility to her argument since she can concentrate on specific events like the Great Exhibition and reform of the patent system as well as the impact of individual figures on British culture. Additionally, like many other texts from this course, MacLeod draws from an extremely wide array of political, economic and literary texts to prove her thesis. Her conclusions imply that the cultural history of technology is shaped not only by what historical actors think, but also by changes in the technological process. Also implicated is that inventors, by the merit of their individual inventions contributed to political change, rather than previous texts which mostly commented on technological systems. This was true in the case of Jenner’s invention contributing greatly to demographic changes in Britain, as well as the countless inventions that lent might to the military and economic successes of the empire. They also shifted some cultural values, for the first time implying that anyone who displayed the British virtues of hard work, diligence and creativity could ascend to a place of honor.[5] Her text, though extremely interesting does lack slightly in her gender analysis especially since she frequently calls attention to how few females were idolized in statues and biographies.
            There is already a large body of literature addressing the notion of technological and economic decline in Great Britain immediately following the Industrial Revolution. Though widely debated by historians, many consider the rises in American and German political and economic status accompanied a decline in Britain. Martin Wiener in particular has asserted that Britain faced an industrial regression since the time of the Great Exhibition. MacLeod text makes a welcome addition to that body of literature. Her hagiographic look at inventors is definitely unique. Additionally, her use of Carlyle to define heroes and hero-worship was extremely interesting. Since Carlyle’s works were very popular over the course of the entire nineteenth century, she is able to accurately use the actor’s categories to identify the rise and fall of inventors. Biographies, popular in general in Victorian England, emphasizing the priestly, prophetic, and literary qualities of engineers and mechanics reached the point that some even attained celebrity status within their own lifetime. Using Carlyle is an extremely savvy tactic and one of the most enjoyable aspects of the book. Additionally, despite such a wide array of sources, her narrow focus keeps her book very tightly bound. It is an interesting read for anyone interested in economic and business history as well as the history of technology.


[1] MacLeod, Christine. 2007. Heroes of invention: technology, liberalism and British identity, 1750-1914. Cambridge, UK: Cambridge University Press
[2] Ibid 34
[3] Ibid 91
[4] Ibid 353
[5] Ibid 20

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